Bellini - La Straniera
£25.39
A worthwhile effort - For this work, Bellini was exploring a more declamatory style that was common at the time. Don t expect filigree vocal lines and pyrotechnics on the Sonnambula or Puritani order. Although standard forms can be recognized here, the style is remarkably plain, making this an unusual, intriguing and, to me, enjoyable piece of music.The title role of Alaide might be better served by a darker, heavier voice than that of Patrizia Ciofi. Still there is much to enjoy in her performance. Her voice is vibrant and she colours it well to present a thoughtful, involved rendition of her part.The background essay explains that Bellini wanted the great Rubini for the tenor role, Arturo, but Rubini was unavailable due to other commitments. This, presumably, accounts for the lack of an aria for the tenor. Nor does the part lie in the stratosphere as do other roles written for Rubini. The role, however, does pose demands which Dario Schmunk isn t quite able to meet. His tone tends to turn dry, pinched and forced when the music ventures above the staff.Mark Stone and Enkelejda Shkosa adequately fill out the cast in the baritone and mezzo parts of Baron Valdeburgo and Isoletta. The London Philharmonic Orchestra and Geoffrey Mitchell Choir respond well to David Parry s conducting.Despite my minor quibble about the tenor, I recommend this to all lovers of Italian opera from this period.